Tuesday, August 24, 2010

A New Companion: Part 2


My girlfriend, Billie, and I are getting an apartment. This is definite after a lot of driving around Palm Beach Gardens and knocking on the doors of almost every leasing office in the 33418 zip code. All were very nice inside and outside, and so were the leasing managers. They seemed to have everything we needed and answered "yes" to every question we asked them, except the one for which we didn't want the affirmative.

Us: "Do you have any pet restrictions?"
Leasing Manager: "For what kind of animal?"
Us: "A Doberman."

Quickly I lost patience with answering that question. I'm perfectly aware that a Doberman isn't the most popular dog breed for even the most ardent dog-lovers, let alone a young couple living together in an apartment for the first time, but that's one of the reasons I have chosen a Doberman to be our dog. One of the managers even asked us, with a tone usually reserved for evaluating one's sanity, "Why do you want a Doberman?!" All I could think to myself was, "Why don't you want one?"

There is nothing compared to the feeling of security that comes from a lovable, well-raised, enormous dog, and I haven't had that feeling since Rufus, our family's Bull Mastiff, died more than a year ago. All I want is for me and Billie to have that to come home to everyday, and that shouldn't be license for discrimination.

You know the part in "Fight Club" when the main character is asked to find his "power animal"? Well, my power animal is a female Doberman named Lilly Pulitzer. Society needs to understand that. I never had a friend who's had a Doberman, and I almost never come into contact with these dogs on a day-to-day basis, but I'm beginning to see why when I consider how unfriendly all four of the apartment complexes we visited were toward the fifth smartest dog breed in the American Kennel Club.

Earlier in the year we visited a Doberman breeder at her home in Hollywood, Florida who had a litter of six female Doberman pups and only one male. Billie was a little freaked out when she saw that all the pups had their ears taped up, each one with a different color of florescent tape. She said they looked like antennas, all flopping around on top of their little puppy skulls, the picture of adorability. We also met the mother of the pups and an nine-month-old female, fully-grown, named Jossie, whose doorbell-reactive barking was very good at letting you know you were in a house full of eight other Dobermans.

When I walked toward the kitchen, where Jossie and the puppy crates were separated from the rest of the house by a dutch split door, Jossie was right in front of the door, barking dutifully and never taking her eyes off me. I asked the breeder, "Can I pet her?" Her response to my question was, "Let's see."

I actually could. Not being a total idiot when it comes to large dogs, I gave her my hand, where she could see it, palm up and in front of her nose. This seemed to pass her Doberman test, and we were allowed access to the kitchen for puppy time.

I knew this was the fun part, so I sat down in the middle of the floor while the breeder opened all the surrounding cages while each puppy, one by one, ran toward me with wagging stubs and bouncing antennas. They pounced, played and chewed, the normal puppy shit, while Jossie stayed close to the breeder and the male pup stayed in his cage, apparently shy.

Before we were about to leave, as Billie was chatting with the breeder, one of the pups, with green tape on her ears, sat obediently at Billie's feet looking up at her, ignoring all the play in which her other seven sisters were engaged. When Billie noticed this quiet, expectant pup at her feet she was immediately heartbroken that we couldn't leave with her right then and there, calling her "our little green girl." That mental picture is still the fondest memory I have of that visit.

Meeting Dobermans and realizing that they are exactly as you would expect them to be is easy if you let those expectations arise out of the necessary research required when someone adopts a dog of any breed. You find out that a little education goes a long way, and get frustrated by the reactions of those who posses none of the required knowledge that they should when these dogs are a topic of important discussion.

Luckily an apartment complex does exist that respects our choice of dog. It's less than a mile from both of our jobs and we're moving there September 20th. After having learned that breeders prefer to whelp puppies in the winter, after the stifling Florida summers, I am telling everyone who cares to listen (and more who don't) that all I want for Christmas this year is a Doberman named Lilly Pulitzer.

Thursday, July 22, 2010

Happy Birthday, Steve Albini!!!


Big Black - "Cables"

Today is the forty-eighth birthday of my favorite living musician. He is credited with fronting Big Black until his twenty-fifth birthday, Rapeman until around age twenty-seven, recording my favorite Nirvana album, In Utero, around age thirty-one and just being one of the nerdiest bad-asses (or most bad-ass nerds) in the punk community since then and through today.


Rapeman - "Trouser Minnow"

A journalism graduate of Northwestern University, Steve Albini is one of three people who inspired me to major in journalism. Today he divides his time managing Electrical Audio Studios in Chicago and playing in his current band, Shellac, with Bob Weston on bass and Todd Trainer on drums.


Shellac - "My Black Ass"

Have a great day, Steve Albini, and I bid you Godspeed on your continued journey to find new, more effective ways of crafting the most vicious noise ever forged from both a free and independent artistic (and sometimes journalistic) community.

Tuesday, June 8, 2010

The Format For Me

Listen:

A while ago I decided to abandon what little hope I had left for modern rock radio. (Whose dick is Three Days Grace sucking so that I have to hear their glossy bullshit ten times a day?) I thought at this point in my life I was finally old enough to listen to and appreciate jazz. So I bought a Miles Davis record. Shortly after that I decided that although I was old enough to "dig" the music I was listening to, I didn't yet believe that I was boring enough. (Thanks a lot, Kerouac.)

So here I am.

A week ago I decided to buy the fourth LP by the monumentally minimalist noise trio, Shellac, entitled "Excellent Italian Greyhound." I haven't found a better example of rock music that resembles jazz music. Their music is sparse and drawn out, their rhythms more than occasionally depart from the annoyingly routine 4/4 time signature and subsequently their songs take on arbitrary, almost linear structures, as if they take the listener from Point A but then must go on some uncharted journey to discover the location of Point B.

But my discovery of rock music that successfully quells my disdain for anything sonically mundane isn't the point of this post. This is: after opening the record I was happy to see that it included a copy of the album on compact disc.

For years I've been saying to anybody who cared to listen (and more who didn't) that all vinyl albums should come with a separate digital copy, either in the form of a CD or a free digital download. That is, they should if the recording industry wants to do anything other than shoving its head up its ass to pull up the steady decline of overall album sales over the last decade. Right now this has got to be the best way to modernize vinyl and revitalize the creative output of album-oriented genres like punk rock.

Also, on a sensory level, providing both formats of the album--digital and analog--makes Shellac's music, often brash and difficult to understand upon a first listening, much more palatable and portable. Let me explain.

Four songs in particular, across Shellac's 38-song catalog, are longer than seven minutes: "House Full of Garbage," "Didn't We Deserve A Look At You The Way You Really Are," "The End of Radio" and "Genuine Lulabelle." In punk rock seven minutes is an eternity, and its listeners are hardly patient. Furthermore, two of those songs are the first track of their respective albums.

"The End of Radio," the first track on Excellent Italian Greyhound, is a great example. Listening to music on vinyl is great experience, unless you have a song like this. It becomes apparent after listening to it for the first three minutes that the song's creators had a vastly different artistic intention than they did for the song that follows it, the up-tempo, riff-tastic "Steady As She Goes." It is with songs precisely like these that even the most uppity of rock nerds like myself thank our digital age for the invention of track selection. If right now you're saying, "Just count the record grooves, dipshit," then you haven't seen the lines on this album and are still completely unfamiliar with the music in question.

Now, with both formats for the price of one, when that full moon comes out and you're finally ready to dive into "Genuine Lulabelle" or "House Full of Garbage," you can feel free, pal! But if you find yourself getting ready to go to work and you only have time for "Spoke" it's still right at your fingertips. The possibilities are endless.

And if you're like me and know the damage that oppressive Florida heat can do to vinyl, I'm willing to bet you appreciate a nice, reliable, digital back-up as well.

Saturday, February 20, 2010

Happy Birthday, Kurt Cobain!!!



Happy Birthday, Kurt Cobain.

I don't care if it's cliché to still understand you or love your music anymore, but you still deserve the wishes, even if they only come from me, your widow and your daughter.

Just know that, wherever you are, there are still people here who wish you were still with us.

Tuesday, February 16, 2010

Come As You Are



See, I have this theory about why a lot of really good independent bands never feel the need to stop in Florida when they choose to tour nationally. My theory has to do with the geography, really, and whether or not such a trip would be financially lucrative for said band. Any band that is currently touring to make some money (and that usually equates to every band that is currently touring, period) usually finds that traveling all the way to Florida would cost them more against the potential ticket and merchandise sales they would make if they came through and played the show.

Furthermore, not only are Floridian indie/punk-lovers trapped on the dick of America, wishing they could one day be in the same shitty bar as their favorite bands, but it is understandable that those bands probably don't want to get here by plowing through a Bible Belt that might not seem to take too kindly to their loud and unorthodox noise.

I think about this when I think about a conversation I had with Dan Peters, drummer for Mudhoney, when I asked him, when Mudhoney played at BackBooth in Orlando in June 2008, when the last time Mudhoney had come to Florida to play a show.

Somewhere around 1993 was what he had told me. That was fifteen years ago, at the time, and before the suicide of Nirvana frontman Kurt Cobain.

After I think about that, I think about one of my favorite independent bands of all time, the one in the YouTube link at the top of this posting: Rasputina. And it makes me want them to come to Florida in the near future. Or now. Please.

I love them.

Wednesday, February 10, 2010

A Poem

"Cheer up, Giada De Laurentiis"

Cheer up, Giada De Laurentiis.
Don't be so down all the time.
Try smiling once in a while.
Stop worrying so much
About the world
And all it's troubles.